Anna in a hench. She just doesn't have an evil boss to work for, but that soon changes after she uses a special temp agency that places henches with villains. The work she does for her super-villain doesn't involve anything physical (they have special skills people who they called Meat for that) or require driving or proficiency in IT; nope, Anna is particularly skill at boring office work - excel sheets and whatnot are her forte. After a run-in with Supercollider (think Superman), she's sent to the hospital with a messed up leg and a termination notice from her employer. That's when she starts down a path to scrutinize Heroes and what they actually do for the world. Broken down but not out, Anna starts to gather her life together again, and for the first time, people start to take notice of her. Natalie Zina Walschot created a world where all our assumptions are turned on their heads, and the villains are hiding in plain sight with a smile on their faces.— Jason Kennedy
If your employer is evil, are you evil as well? Anna Tomedlov is a hench, temping for various low-rent villains to make ends meet. Her work is making spreadsheets, not holding people hostage or making death rays. When a superhero inadvertently ruins her life, she decides to exact revenge in the only way she knows how: compiling data that proves that superheroes cause way more damage than supervillains. Beginning to end, this novel is so compelling that reading it was effortless. Anna is such a relatable character - like so many hourly workers, she's just trying her best to survive and pay rent. Sure, there are superpowered people in this story, but make no mistake: this is the story of an ordinary young woman using her greatest asset, her brain, to gain power and agency.— Rachel Copeland
This was so fun to read! Meet Anna, your average everyday Hench, finding jobs through a temp agency and just hoping to get placed somewhere with good benefits. The day-to-day life of a Hench is not all that different from working any other job. Sure, you may be building a freeze-ray or doing field work with the boss, but most of the time you're just another worker bee putting in her hours. And, if you're like Anna, you go to work, punch in, and get started in the exciting world of data entry. When Anna starts her new job, everything is business as usual, until she's in the wrong place at the wrong time. Becoming another causality of a "superhero" rescue, Anna loses her job and is laid up on her friend's couch for weeks. Healing from her encounter with the world's most indestructible hero, Anna starts thinking of all the money she's lost by being out of a job, not to mention the dead coworkers left behind; she's inspired to create a formula to determine the cost of years lost not just for herself but for the world. What does it cost when the most powerful superhero flies in to save the day? Armed with her data, Anna starts to gain a following online and finds herself recruited by one of the most elusive villains there is. Hench delightfully twists the perspective on superheroes. You will think twice next time you root for those caped heroes!— Jen Steele
October 2020 Indie Next List
“Hench is absolutely terrific! Walschots has found a fresh, original, feminist angle on the tropes of superheroes and supervillains in this smart, lively novel. Anna is barely subsisting from temp job to temp job — even supervillains need someone to do their data entry — when she becomes collateral damage in a superhero’s intervention. Injured and jobless, she fights back by collecting data on the negative effects caused by superheroes. As Anna’s research goes viral, she’s tapped for a new job with the supervillain, giving her an opportunity to use her skills to fight back against the so-called forces of good. Very highly recommended!”
— Carol Schneck Varner, Schuler Books (Okemos), Okemos, MI
“This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling author
The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet.
Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?
As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one.
So, of course, then she gets laid off.
With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.
Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance.
It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.
A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.
About the Author
Natalie Zina Walschots is a freelance writer, community manager and bailed academic based in Toronto. She writes everything from reviews of science fiction novels and interviews with heavy metal musicians to to in-depth feminist games criticism and pieces of long-form journalism. She is the author of two books of poetry. In her free time she has been exploring the poetic potential of the notes engine in the video game Bloodborne, writing a collection of polyamorous fairytales, developing interactive narrative classes and composing short text-based body horror games. She also plays a lot of D&D, participates in a lot of Nordic LARPs, watches a lot of horror movies and reads a lot of speculative fiction.
“This book is fast, furious, compelling, and angry as hell. It's a beautiful deconstruction of the superhero genre, and I'm only a little annoyed that I didn't think of it first.”
— Seanan McGuire, New York Times bestselling author
“Get ready to root for the bad guys.”
— Jennifer Estep, New York Times and USA Today bestselling author of the Crown of Shards series
"Hench is an engrossing take on the superheroic. It's smart and imaginative; an exemplary rise-of-darkness story, one I won't soon forget...I honestly can't wait to see what Natalie Zina Walschots does next with the genre."
— NPR Books
“This Anti(super)hero tale is jam-packed with action and fueled by Anna’s breathless, dizzying, exhilarating rage. Anna faces off with the supernatural, but she feels so very real as she rockets along on her furious and furiously-paced trajectory. Hench is a ride—I loved it.”
— Joshilyn Jackson, New York Times bestselling author of Never Have I Ever
"Walschots playfully pokes at both office politics and comic book absurdity while offering gripping action and gut-wrenching body horror. The inventive premise, accessible heroine, and biting wit will have readers eager for more from this talented author."
— Publishers Weekly (starred review)
"A fiendishly clever novel that fizzes with moxie and malice."
— Kirkus Reviews (starred review)
“Sharp, unexpected, and hilarious—HENCH takes the classic superhero story and cleverly turns it on its head. Get ready for a delightfully twisted adventure that will make you want to root for the bad guys.”
— Peng Shepherd, author of The Book of M
"Witty and inventive . . . the pleasure of the novel is the slow rollout of the rules. Creating a universe involves inventing lots of little problems, and the solutions here don’t disappoint."
— New York Times
"Smart, witty, and at times bloody, this book will please comic book fans who wish to take a jab at the superhero tropes, as well as readers who enjoy dark humor with a bit of satire tossed into the mix."
— Library Journal (starred review)
" In this refreshing, subversive, and darkly humorous debut novel, poet and journalist Walscholts slowly reveals the nuances of her superpower-filled world, keeping readers guessing. Hench reads like a comic without the illustrations and is packed with subplots and rapid-fire wit. With a diverse and inclusive cast of characters, Walschots' original tale performs a brilliant and exciting variation on the superhero trope and is not to be missed."
— Booklist (starred review)
"A clever, witty, vigorous, and well-crafted adventure […] by turns hilarious and tragic, alternately rudely juvenile or sophisticated."
— Locus Magazine