At first, I felt like I was reading a memoir. But then I began to wonder. Was Ayad Akhtar’s father really Trump’s doctor? And then I realize – classic autofiction misdirect! As the plotline of this second novel unfolds, the story twists and turns around our assumptions about who Ayad Akhtar is. I’m still processing the story, and know that this is not an Indie-Bound-worthy recommendation, but I might have to read it again to say something one millionth as erudite, provocative, and searching as Homeland Elegies.— Daniel Goldin
Akhtar might just have written that good and daring thing, a new entry into my favorite genre: the Great American Novel. Certainly it’s one of the boldest books on existing in this country post-9/11. Not since Exley’s A Fan’s Notes (and those in the know will know what I mean) can I recall a novel in which a writer was so unashamed to expose the ugliest parts of his country and of himself to create a portrait of an American living in, with, and against America. There’s far too much in this novel for any sort of reductive summary of its parts to give you an idea of what it’s ‘about,’ which of course is a part of its brilliance; there’s little so rare and as rewarding as to read a writer who is willing to do the necessary peeling away of layer after layer of nuance and contradiction, not just throwing out but dismantling and subverting platitudes and easy, false truths, to approach the world honestly. But here, a few broad strokes - it’s about being an immigrant, about being perceived at once as an enemy of the state and an enemy of your family’s homeland. It’s about how history, geography, education, economics, medicine, and yes, Donald Trump, put a father and son at odds with each other, with themselves, and with their country. Most of all, it is an exhaustive examination of that most base, central question in a time when it’s most needed - what is to be an American? This novel is astounding.— Chris Lee
September 2020 Indie Next List
“A masterful blend of memoir and fiction, this is an unforgettable journey through the lives of a Muslim family finding their place in a post-9/11 America. A searing navigation of the loves we try to reconcile — familial, religious, societal — and the definition of home. Written with wisdom, wit, and unsparing honesty, this an important book that you will continue to contemplate for a very long time. Both intimate and epic, this is a must-read.”
— Pam Stirling, East Bay Booksellers, Oakland, CA
A "profound and provocative" new work by the Pulitzer Prize-winning author of Disgraced and American Dervish: an immigrant father and his son search for belonging -- in post-Trump America, and with each other (Kirkus Reviews).
"Passionate, disturbing, unputdownable." -- Salman Rushdie
A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home.
Ayad Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the nation's unhealed wounds wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerrilla lookouts in the mountains of Afghanistan, and spares no one -- least of all himself -- in the process.
About the Author
Ayad Akhtar is a novelist and playwright. His work has been published and performed in over two dozen languages. He is the winner of the Pulitzer Prize for Drama and an Award in Literature from the American Academy of Arts and Letters.
Ayad is the author of American Dervish (Little, Brown & Co.), published in over 20 languages and named a Kirkus Reviews Best Book of 2012, as well as the forthcoming novel, Homeland Elegies (Little, Brown & Co.) in September 2020. As a playwright, he has written Junk (Lincoln Center, Broadway; Kennedy Prize for American Drama, Tony nomination); Disgraced (Lincoln Center, Broadway; Pulitzer Prize for Drama, Tony nomination); The Who & The What (Lincoln Center); and The Invisible Hand (NYTW; Obie Award, Outer Critics Circle John Gassner Award, Olivier, and Evening Standard nominations). As a screenwriter, he was nominated for an Independent Spirit Award for Best Screenplay for The War Within.
Among other honors, Akhtar is the recipient of the Steinberg Playwrighting Award, the Nestroy Award, the Erwin Piscator Award, as well as fellowships from the American Academy in Rome, MacDowell, the Sundance Institute, and Yaddo, where he serves as a Board Director. Additionally, Ayad is a Board Trustee at PEN/America and New York Theatre Workshop. He lives in New York City.
"Dazzling . . . a deeply personal examination of the American dream."
"With Homeland Elegies, Ayad Akhtar has found the perfect hybrid form for his exuberant, insightful, and wickedly entertaining epic about Muslim immigrants and their American-born children. A deeply moving father-and-son story unfolds against tumultuous current events in a book that anyone wanting to know how we as a nation got where we are today -- and into what dark wood we might be heading tomorrow -- should read."—Sigrid Nunez, author of The Friend
"Homeland Elegies is the astonishing work of an absolutely brilliant writer. With exquisite prose and lacerating honesty, Ayad Akhtar reveals the intersections of art, finance, race, religion, academia, and empire, and in the process, shows us a troubled reflection of our country in the twenty-first century."—Phil Klay, author of Redeployment
"Homeland Elegies is urgent, lacerating writing of the first order from one of our finest playwrights. A sensation of a book."—Suketu Mehta, author of This Land Is Our Land: An Immigrant's Manifesto