As a true crime reader, I can be hesitant to read a book about an unsolved case. Naturally you wonder - how will this end? There is no need for such hesitation in We Keep the Dead Close. Becky Cooper takes a case that has turned into Harvard myth and brought the investigation the victim deserved to fruition. Cooper, a Harvard alumna herself, details her time at the Ivy League school and her personal growth following graduation as it evolves into the study of Jane Britton’s murder in 1969. Her reexamination brings attention to Britton’s life, not just as a victim but as a woman with personality and accomplishments. This deep dive into a cold case reads as a slow burn, but I really enjoyed how Cooper handled her investigation with grace and dignity while still being incredibly thorough. We Keep the Dead Close is an extremely worthwhile read.— Madi Hill
You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.
About the Author
"Searching, atmospheric and ultimately entrancing, We Keep the Dead Close is a vivid account of a notorious murder at Harvard that had remained unsolved for fifty years, and a meditation on the stories that we tell ourselves about violence. Cooper is a methodical, obsessive and very companionable sleuth, who ushers us through the many twists and turns in her own investigation until she arrives at a solution. In a deft touch, she interrogates not just the evidence, witnesses and suspects, but her own biases and assumptions, as well."—Patrick Radden Keefe, New York Times bestselling author of Say Nothing
"Meticulously reported and sensitively written, WE KEEP THE DEAD CLOSE is top-of-the-line true crime, fortified with shrewd intellectual rigor and acute moral clarity. This case became Becky Cooper's obsession, and before long, you'll be obsessed, too."—Robert Kolker, author of the #1 New York Times bestseller Hidden Valley Road
"Mesmerizing debut...In addition to presenting a tense narrative, [Becky Cooper] delves into the phenomenon and morality of true crime fandom. This twist-filled whodunit is a nonfiction page-turner."—Publishers Weekly, starred review
"Cooper's suspenseful, intensely intimate work casts a critical lens on institutional misogyny. Sure to appeal to true crime readers, especially fans of Michelle McNamara's I'll Be Gone in the Dark."—Library Journal
"In her work of excavation, Cooper seeks ideas of power and truth, and the outer limits of our human desire to be present, somehow, in the past."—Booklist
"Becky Cooper rediscovered a baffling cold case, examined the evidence in exquisite detail, and forced new information into the light-ultimately yielding a book that is a stunning blend of academics, archaeology, eccentricity, memoir, and murder. I read this book in astonishment, grateful for fly-on-the-wall access to Cooper's narrative quest to document what happened to Jane Britton. This vivid, graceful story is as much about obsession and a search for belonging as it is about the romance of exploration, the unglamorous logistics of scientific fieldwork, the secretiveness of clans, the cruelty of chance, and the doggedness inherent to the best narrative journalism. Cooper's determination to chase every angle, track every fact, thrills and inspires me. She pursued this story with the kind of reportorial care and relentlessness that should drive all such work. Cooper reminds us that this isn't television: homicide cases involve real victims, real suffering. In pushing for clarity, she challenges powerful players-and returns, to a brilliant young woman, her voice."—Paige Williams, author of The Dinosaur Artist
"We Keep the Dead Close is part true crime, part memoir, part re-creation of the vast, compelling, disappointing investigative process... While the book is wide-ranging, there are no purposeless tangents. Instead, we are given a portrait of the kind of world Jane lived and died in, granting us both an understanding of Jane and the myths that her murder created."—Shelf Awareness
"At once a mystery, a memoir, and a look at women's experiences in hallowed halls and seems poised to become required reading in Cambridge and far beyond."—Town & Country
"We Keep the Dead Close is the most amazing true crime book I have read where the identity of the person responsible was not revealed until the end. It's the true crime story everyone will be talking about next year."—BookRiot
"[A] fascinating, haunting book, which Cooper has been working toward writing for the last 10 years, sifting through old documents, debunking baseless rumors, and compiling a picture of an academic world that is ruled by an archaic and highly gendered code of conduct, one that prioritizes ambitious men, and punishes similar women."—Refinery29
"A mournful and philosophical dive into a university culture that set the stage for a heinous crime, and a lyrical entry in the new subgenre of victim-focused true crime."—CrimeReads