To see the pattern of Edie Pritchard’s relationship with the men in her lives is to also see a primary reason why our country has been so deeply troubled for so long. These men seem to think only about what they want. They insist on getting what they want. Often the women join them, as they fall in line with generations of harsh cultural training. Edie manages them at times, in order to avoid a crisis, or gets away when she must, but ultimately I’m left wondering about the possibility of connection and change. We see her for decades before she wonders who she really is outside of other people’s projections, sometimes complicit by giving in to men’s pressures. The moments when she fiercely stands her ground are memorable, and her ultimate independence is admirable. There’s a little room for redemption too, as characters keep learning about themselves and others, but societal change is slow and people pretty much remain who they are. Watson is an expert at detailing the feel of American western traditions confronting a modern world, one long hard-scrabble day at a time. He’s a strong writer, and maybe his greatest asset is that he won’t budge on stubborn truths for the sake of comforting outcomes, which gives him ultimate credibility but leaves my jury still out on the question of hope.— Tim McCarthy
"Characters so real they could walk off the page, virtuoso writing and up-all-night drama."— People
From acclaimed novelist Larry Watson, a multigenerational story of the West told through the history of one woman trying to navigate life on her own terms.
Edie—smart, self‑assured, beautiful—always worked hard. She worked as a teller at a bank, she worked to save her first marriage, and later, she worked to raise her daughter even as her second marriage came apart. Really, Edie just wanted a good life, but everywhere she turned, her looks defined her. Two brothers fought over her. Her second husband became possessive and jealous. Her daughter resented her. And now, as a grandmother, Edie finds herself harassed by a younger man. It’s been a lifetime of proving that she is allowed to exist in her own sphere. The Lives of Edie Pritchard tells the story of one woman just trying to be herself, even as multiple men attempt to categorize and own her.
Triumphant, engaging, and perceptive, Watson’s novel examines a woman both aware of her power and constrained by it, and probes the way perceptions of someone in a small town can shape a life through the decades.
About the Author
Raised in Bismarck, North Dakota, Larry Watson is the author of ten critically acclaimed books, including the bestselling Montana 1948. His fiction has been published internationally and has received numerous prizes and awards. His essays and book reviews have appeared in the Los Angeles Times, the Washington Post, the Chicago Sun-Times, the Milwaukee Journal Sentinel, and other periodicals. He and his wife live in Kenosha, Wisconsin. A film adaptation of Watson’s novel Let Him Go is currently in production with Kevin Costner and Diane Lane and due to release in 2020.
A Most Anticipated Book of the Summer: The Millions * Library Journal * Parade
A Kirkus Reviews Best Fiction Books of 2020 & Best 2020 Fiction To Get Your Book Club Talking
A Booklist Editor’s Choice: Adult Books, 2020
“Set in Montana, and evoking Annie Proulx, The Lives of Edie Pritchard is a testament by one of our greatest ‘regional’ novelists to the power of stories.”
“Larry Watson is a riveting storyteller . . . this is a fast and compelling read, sparse and dusty as the open plain. Watson’s journey is a sensory one, taking us down rippling highways and across weedy fields into basement rec rooms and out into shadowy sunsets. Though some scenes are gritty, the novel’s dialogue and imagery awaken our senses and prove once again that when depicting small-town life in the West, Larry Watson is crushing it.”
—Minneapolis Star Tribune
“Like Watson's earlier novel Orchard, The Lives of Edie Pritchard is a story about a woman whom men try to possess, but rarely make an effort to understand or even listen to . . . Watson's unfussy style makes room for nuggets of bitter humor, like a divorced and remarried woman telling a newcomer, "Mister, everyone in this room is an expert on what a marriage isn't!'”
—Milwaukee Journal Sentinel
“Set mostly in eastern Montana, Watson’s vibrant character study reads like a trio of scintillating novellas, each set 20 years apart . . . Like in the best works of Richard Ford and Elizabeth Strout, Watson shows off a keen eye for regional details, a pitch-perfect ear for dialogue, and an affinity for sharp characterization. This triptych is richly rewarding.”
"Watson remains incapable of creating characters who aren't fully formed individuals, as courageous as they are vulnerable, and here he again displays his rare ability to craft strong women and to describe their everyday lives with rare power."
—Booklist, starred review
"Watson is insightful in his depiction of Edie and those who seek to control her, and his descriptions of small-town Montana life, where guns are frequently a menacing presence, reflect how the potential for violence is ever present beneath the surface of things. The novel crackles with tension, especially the second and third acts; Watson is a born storyteller, and it shows on every understated page. But Edie's story also rings with a hardscrabble poetry . . . A riveting and tense examination of identity, violence, and female anger."
—Kirkus Reviews, starred review