Christie has given the Greenwood reader many opportunities to ponder the role of nature versus nurture in this four-generation saga. A first generation lumber baron in the early 1900s eventually gives rise to a fourth generation forest guide in one of the planet’s last standing old-growth forests in 2034. Most members of this family lead edgy lives in varying degrees of pain and loneliness, and moments of joy are scarce - yet these characters dig hooks in you and press you to read onward. Unresolved relationships and personal journeys, within and across the generations, slowly achieve a measure of closure as the chapters shift almost seamlessly from 2034 to 1908 and back to 2034. The characters will stay with you long after you close the book, and just might keep you thinking about nature versus nurture.— Kay Wosewick
March 2020 Indie Next List
“Trees: They provide shelter, sustenance, and sanctuary for vast numbers of creatures. They create the very air we breathe. And they are under threat. For generations, the Greenwood family lives with, destroys, fights for, and monetizes these gentle giants until their very existence is absorbed into the class system designed and upheld by the one percent. This is a sweeping arboreal saga full of blood, greed, heart, and humanity. Greenwood will fell readers worldwide.”
— Bex Petterson, Bloomsbury Books, Ashland, OR
A magnificent generational saga that charts a family’s rise and fall, its secrets and inherited crimes, from one of Canada’s most acclaimed novelists
Longlisted for the Scotiabank Giller Prize • “A rugged, riveting novel . . . This superb family saga will satisfy fans of Richard Powers’s The Overstory.”—Publishers Weekly (starred review)
“There are plenty of visionary moments laced into [Christie’s] shape-shifting narrative. . . . Greenwood penetrates to the core of things.”—The New York Times Book Review
It’s 2038 and Jacinda (Jake) Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world’s last remaining forests. It’s 2008 and Liam Greenwood is a carpenter, sprawled on his back after a workplace fall, calling out from the concrete floor of an empty mansion. It’s 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father’s once vast and violent timber empire. It’s 1934 and Everett Greenwood is alone, as usual, in his maple-syrup camp squat, when he hears the cries of an abandoned infant and gets tangled up in the web of a crime, secrets, and betrayal that will cling to his family for decades.
And throughout, there are trees: a steady, silent pulse thrumming beneath Christie’s effortless sentences, working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood, and blood—and the hopeful, impossible task of growing toward the light.
About the Author
Michael Christie is the author of the novel If I Fall, If I Die, which was longlisted for the Scotiabank Giller Prize and the Kirkus Prize and selected as a New York Times Editors’ Choice. His linked collection of stories, The Beggar’s Garden, was longlisted for the Scotiabank Giller Prize, shortlisted for the Rogers Writers’ Trust Fiction Prize, and won the City of Vancouver Book Award. His essays and book reviews have appeared in The New York Times, The Washington Post, and The Globe and Mail. A former carpenter and homeless-shelter worker, Christie divides his time between Victoria and Galiano Island, British Columbia, where he lives with his wife and two sons in a timber-frame house that he built himself.
“At once hypnotic and raging, dangerously real and brimming with hope, Greenwood is that most necessary epic that binds our human frailties to our planet’s possibilities. Michael Christie tenderly rakes the past and paints a future without flinching. I read this book with my heart in my throat, in my hands, in my gut; I read this book heart-full.”—Katy Simpson Smith, author of The Story of Land and Sea
“Greenwood is brilliant. Michael Christie shows a cross section of one family’s history, revealing their dark secrets, loves, losses, and the mark of an accident still visible four generations later. Year by year, page by page, the layers of this intricate and elegant novel build into an epic story that is completely absorbing. I had to cancel everything for this book because I couldn’t stop reading.”—Claire Cameron, author of The Last Neanderthal
“Ingeniously structured and with prose as smooth as beech bark, Michael Christie’s Greenwood is as compulsive as it is profound. Every one of Greenwood’s characters burrowed their way into my heart. Beguilingly brilliant, timely, and utterly engrossing, Greenwood is one of my favorite reads in recent memory.”—Kira Jane Buxton, author of Hollow Kingdom
“A time-hopping, globe-circling picaresque with apocalyptic themes . . . [Christie] broaches every kind of human valor, villainy and vulnerability: drug addiction, forbidden desires and laudable do-gooding, among others. He commands attention not through conservationist pieties but with the way his forest-killers and tree-loving zealots are equally off-kilter and contradiction-filled. . . . There are plenty of visionary moments laced into [Christie’s] shape-shifting narrative. . . . Greenwood penetrates to the core of things.”—The New York Times Book Review
“Christie skillfully teases out the details in a page-turner of a saga that complements sylvan books such as Sometimes a Great Notion and The Overstory. . . . Beguilingly structured, elegantly written: ecoapocalyptic but with hope that somehow we’ll make it.”—Kirkus Reviews (starred review)
“Rich with evocative descriptions of West Coast wilderness and anchored by a deep, visceral bond to the trees that sustain us all, Greenwood is a literary page-turner that manages to be both nostalgic and modern, personal and political, intimately human and big-picture historical. In an era of so much uncertainty, it is comforting to see novelists begin to work through the biggest issue of our age. And, in this case, convert our collective suffering into brilliant, beauty-filled art.”—Toronto Star