Whitehead starkly defines his characters' world as he unwraps their stories with a direct, graceful style and unique symbolism. I met him once at a Boswell Book Company event. I saw the genius in his eyes; the sincerity, too. And he’s funny! Once again, he drops us into another time. Harlem, 1959, was a much harder place than the one where I was born (that same year). Ray Carney is a loving family man with a small furniture company and modest ambitions for upward movement. He stays at the edges of the hustles all around him, but everything heavy pulls at the edges. He “was only slightly bent when it came to being crooked" until his beloved cousin Freddie draws him into a heist. I like Ray, and in Whitehead’s masterful hands he becomes real. I haven’t read a better American novelist, living or dead. He stands with James Baldwin, Joyce Carol Oates, Toni Morrison, and E. L. Doctorow. Back-to-back Pulitzers ain’t bad. By giving us the past, Whitehead leads us toward the future. He's the new King of American historical fiction, the new voice as powerful as Doctorow’s. The torch of greatness has been passed.
— Tim McCarthy
Nina, Jay, Hud, and Kit are the children of the world-famous crooner Mick Riva. However, they may know him best through celebrity magazines. Raised by their mother June, the siblings grow up in Malibu and bond over surfing. Told in two parts, we learn the family's history from the mid-fifties to late seventies and then of the day of the Riva's annual end-of-summer party in 1983. Each chapter reveals a new heartbreak, all leading up to the most explosive party the siblings have ever hosted. Taylor Jenkins Reid sets the scene for family drama and manages to transport you to Malibu's past effortlessly. I was mesmerized by the Rivas, my heart breaking with them at one turn, and laughing out loud at the next, especially at Kit's astute observations. Make an 80's surfing playlist and add this to your summer read pile!
— Jen Steele
Marian Graves is a pilot who disappeared on a groundbreaking flight. Hadley Baxter is the actress, tarnished by scandal, who hopes an important role playing Marian in a biopic will burnish her reputation. With alternating voices, Great Circle ponders, can you really know someone’s story? Historical fiction of the highest order!
— Daniel Goldin
Klara is an AF (artificial friend) waiting at the store with her friend Rosa for someone to take her home. Her odds have decreased since a new model has been released. Josie, a young girl, has been browsing the store and has set her eye on Klara, but hasn’t been able to commit. And when she does, Klara will find itself (herself?) plopped into a family drama of an ill girl and divorced parents who disagree on the best course of action. Ishiguro hints at an eerie future of genetically modified elites, professions replaced by robots, and worsening civil breakdowns. If there’s an author where the more you read, the greater the appreciation for the entire body of work, Ishiguro is it. I began Klara and the Sun imagining a connection to Never Let Me Go, noting later that Klara was also the obvious descendent of Stevens, the butler of Remains of the Day, dedicated to service and unmoored by a change. I love how Ishiguro’s heroes are both keenly observant and hobbled by blind spots. For Klara, it could be mistaking the sun for a deity, which makes sense, being solar powered. I’m almost disturbed to say this – Klara is perhaps the most empathetic hero I’ve read about in a long time. So what does this say about me?
— Daniel Goldin
This book is easy to read, and not because it's simple. Ishiguro creates tremendous emotional depth with a graceful narrative flow. That must be how you win a Nobel Prize: expertly crafting writing that sounds so natural. Klara observes the world and its people with open curiosity, at first untainted by her limited experience, but she’s always learning. Her ability to analyze human behavior with sincerity, consideration, and objectivity is something I would love to possess, but Klara isn't human. She's a machine, waiting for a future with a human family who would buy her as their child's Artificial Friend. She looks forward to being displayed in the storefront window, where nourishment from the sun will make her stronger, and she can see more of the city's intensity. Then there’s a wider world out there, where her status will be friend, family, and possession. Klara feels the effects. She has her own intentions, and her personal story has an unmistakable living warmth. Can Klara love and be loved? Is she ultimately being used for her owners' needs alone, or do they care for her as they would care for a person? One thing I can say without hesitation is that I wish Klara was my friend!
— Tim McCarthy
Reeling from the discovery of her husband's affair, Caroline Parcewell decides to go to London on what was supposed to be an anniversary vacation. One afternoon she takes part in mudlarking and discovers a curious vial which reignites a long-buried passion for history. As Caroline embarks on uncovering the vial’s secrets, she discovers more about herself and her marriage. Meanwhile, in 18th century London, there's a hidden apothecary dealing in poisons. Nella is the heir of the apothecary. What used to be a place where all could go for health and healing is now something more sinister. Nella now works in the shadows, helping women right the wrongs done to them by men. The rules are simple: the poison must never be used to harm another woman, and the names of the murderer and her victim must be cataloged in the apothecary's register. A definite page turner that kept me up late just to find out what happens next!!
— Jen Steele
tell her story. Hollywood's most scintillating star will tell all. It's an interview of a lifetime for Monique Grant, who has been handpicked by Evelyn. Monique will be the only one to ask and get the answer that the world has been dying to know: Who was the love of Evelyn Hugo's life? It's the golden age of Hollywood. There's scandal, extravagance, leading men, lavender marriages and overbearing studio bosses. If you're like me, reading The Seven Husbands of Evelyn Hugo will leave you utterly absorbed and wishing Evelyn Hugo was a real-life film star!
— Jen Steele